Landscape

Panning for gold

Soundtrack: Kurt Vile - Goldtone

Sometimes (often) I get a bit lost for inspiration; I stand in the kitchen and munch on cashews or glug a cup of tea mulling over where to go and no place appeals. I slowly get my stuff together and sit in the car growing frustrated at my indecision, feeling like I've exhausted all local options, feeling like I can't face the process of finding a spot and creating an image. The light will be bad, the wind will be too fierce, the tide will be wrong.

The light is threatening to disappear.

When the situation starts to become ridiculous I start the car and drive. Left or right is the first decision and the next junction comes before I've reached a conclusion. I start to get a little despairing and often it turns out to be the best recipe for a decent shot. A 'f*ck it' attitude is often useful creatively. Head to the coast, park the car, grab the camera, leave the tripod in the car, watch the sun go and the last light turn to a thin band on the horizon. Golden Hour turns to Blue Hour; waves race out of the gloom. Start shooting.

Panning the camera from one side to the other gives this effect. Waves, clouds and horizon are rendered in silken tones and a sense of the atmosphere of standing beside the water in the gathering gloom is conveyed. Don't you think?

I often listen to music to help find inspiration. The above tune seemed to go well. Thanks to Kurt Vile.

Following John Piper's lead in Snowdonia

I've spent a bit of time in the hills recently. A trip to Snowdonia a couple of weeks ago and the Western edge of the Brecon Beacons this weekend. Below is a shot from the Snowdonia trip, a view down the Ogwen Valley.

The artist John Piper painted many scenes in Snowdonia and I had in mind his paintings whilst wandering around up there as the palette at this time of year is typical of his work. He ended up spending time there after initially being sent on an uncompleted commission to draw the interior of Manod Mawr quarry where artworks from the National Gallery were stored during the Blitz. He fell in love with the area and rented a house in the Ogwen valley during the winter months.

More info on John Piper

The light was fairly flat for me this time but Piper understood the importance of immersing yourself in the landscape and here’s two fantastic quotes for anyone trying to understand how time to fully absorb the nature of a scene is essential to interpreting it...

Each rock laying in the grass had a positive personality: for the first time I saw bones and the structure and the lie of the mountains, living with them and climbing them as I was, lying on them in the sun and getting soaked with rain in their cloud cover and enclosed in their improbable, private rock-world in fog

The rocks can look grey in a leaden light, and then do not, commonly. Against mountain grass or scree, against peaty patches near tarns, on convex slopes, in dark cwms, the same kind of rock can look utterly different, and changes equally violently in colour according to the light and time of year. The rocks are often mirrors for the sky, sometimes antagonistic to the sky’s colour.”

I’ll be returning to spend more time in Snowdonia to follow Piper’s lead and hopefully get better light and more drama.

A trip to Iceland and thoughts on solitude in landscape photography

I've not long returned from a short trip to Iceland. We only had 6 days start to finish and with the limited daylight time on a trip towards the arctic regions in Winter it meant we were crossing our fingers for good conditions and also for clear night skies coupled with some geomagnetic activity to give us a chance of seeing the aurora... not too much to ask surely! We got lucky: although we had conditions ranging from blue skies and sunshine to a raging Atlantic storm, we had good windows of weather and crucially some of these windows came at night. Also, we were blessed with some intense aurora activity coinciding with the periods of clear skies. A miracle!

Given our limited time on the island we made our way to the Snæfellsnes peninsula as we'd read that it was a great way to see plenty of the features of the island in a relatively small area. Lava fields, fishing villages, rugged coast and mountains are all packed into this small finger of land on the West of the island. We stayed at Grundarfjörður and arrived after a sunny drive but the following day brought brutal winds which meant sightseeing was abandoned in the afternoon after the wind had made us question how strong a gust was needed to flip our vehicle off the road. The following day brought more settled weather and that evening we ventured out to have a look to see if there was any aurora action.

We headed for a view of Kirkjufell, the iconic hill that rises out of the sea just west of the town and which can be nicely framed with a waterfall in the foreground. We weren't disappointed and the first time I’ve seen the lights properly aside from some horizon-anchored smudges in the skies of Pembrokeshire was a special experience. It’s a strange event that people will often describe in bombastic terms but it’s really a very serene phenomenon. Aside from the noise of the tumbling waterfall the lights appear silently as what appeared to be some wispy light cloud against the night sky but soon developed into a cord of light that crossed the sky and slowly undulated and swayed around the heavens. We had a good chance to gaze skyward and enjoy the moment whilst also taking some photos as the lights remained for a while until gradually fading away.

In the next couple of days we explored the area around the Golden Circle of attractions. Geysars, huge waterfalls and volcanic terrain all make for a fascinating landscape but were mostly viewed quickly after a scamper from the car in full waterproofs!

On our last night in Iceland we ventured out on the West coast of the Reykjanes peninsula where the intensity of the aurora really was awe inspiring. The increased level of geomagnetic activity meant there was really powerful curtains of light across the sky and at times, directly overhead a corona where green gave way to red and yellow shades that seemed to be falling from the sky. This time the soundtrack was the pounding waves upon the rocky shore and the sweep of the beam from the nearby lighthouse added to the atmosphere.

I have a funny relationship with some of these shots as one or two feel tainted in several ways. Anyone who follows landscape photography accounts online will probably know Kirkjufell, the most photographed mountain on Iceland. It’s easily accessible and a popular spot with photography groups so I’ve seen the view countless times. On the night we went there, further up the path a workshop leader was barking instructions at his students who were all gathered in the same place to get the same shot. I’m not exaggerating when I say he was like a drill sergeant so I shuffled past in disbelief, into the darkness and found a quiet spot further down the falls. He was the complete antithesis to why I enjoy this kind of photography. For me, solitude is important when engaging in landscape photography. It gives a chance to fully immerse yourself in your surroundings and although I'm trying to capture a particular moment, there is also an appreciation of the changing scene in front of me. I also find it sad that people wish to only collect their version of a shot they have seen countless times before. It feels to me like social media has reduced the planet to only these iconic sights. Like Bruce Lee said... “it’s like a finger pointing a way to the moon, don’t concentrate on the finger or you miss all the heavenly glory”. But at the same time; the spot was on our doorstep, it was an amazing night and maybe this is the most incredible shot I’ve ever taken so I have to try and accept the positives!

Anyway, here are a selection of shots from the trip...

Take a View Landscape Photographer of the Year 2017 - Commended Image

You might have seen my earlier post saying I had been shortlisted in the Take a View Landscape Photographer of the Year. Well I'm pleased to say my image was Commended and I have been included in this years book which is out today. All the images from this year will be on display in London's Waterloo station from the 20th November until February 4th.

It's a picture that took a while to get. Most of my shots require a number of visits to a place to get the image I am looking for. This one is no exception; I took shots through Winter when the barley was just sprouting all the way through to Autumn when it had been harvested and the field was just stubble. In each one the light was different. I knew at the time I took it that it was a good one but I'm really pleased that the judges liked it too and that it's made it into this years collection.

If you'd like a print they will soon be available via my shop page (when I've built it!)

TakeAView.jpg

Long exposures and wet feet

We've been very lucky this Spring. At the moment I'm writing whilst rain falls outside but we've had some beautiful days recently. I've taken the opportunity when possible to get down to the sea and enjoy the sun and the water.

Sometimes it's nice just to go out, stand around in ankle deep water and take some really simple shots of the water doing it's thing. I've enjoyed a few hours spent this way in the last few weeks. To get this smooth effect with the water requires a bit of technique. Some of these were taken in bright sunshine where usually the shutter speed would be very fast. A neutral density filter helps cut the amount of light getting into the camera allowing longer shutter speeds without overexposing the shot. Slowing down the shutter speed smooths out the textures as the water washes in and out but leaves patterns behind. Each exposure is about 6 seconds long (longer on some of the shots taken later in the day) and each exposure can create it's own interesting effect. When I go out to take this type of shot, I often spend many minutes taking essentially the same shot but enjoying all the different effects each new wave can bring. As usual, I come back with a whole load of shots from this type of day so this little selection are the best from maybe 50 shots.

The first shot is taken from the beach at Newgale. If you look closely you can see a tanker on the horizon. St Brides Bay often becomes home to a few ships moored up waiting for their slot in the harbour at Milford Haven and they can be there for a few days or sometimes much more. I'm more of a landlubber myself so find it strange the life of the folk on those big boats. I find it odd to think of being out in all that space surrounded by water for weeks at a time but the captain of a tall ship once told me that was the appeal for him. I guess we all go and find that space somewhere although I suppose the motivation is more monetary for the folk aboard that tanker.

These were taken at Newgale, Marloes and Penycwm.

Spring sunshine in Bath

I grew up near to Bath but have rarely taken pictures there. I guess that's what happens when you feel so familiar with a place; you get used to the beauty of it and stop noticing. Last weekend I had an hour on my hands and with beautiful evening light I took the chance to have a wander around and take some pictures. I forget where I read the description of the local Bath stone 'glowing butterscotch in the evening sun' but the phrase always pops into my head when the light is like this.