Studio portraits - Robin

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It was a pleasure to have my friend Robin come in for some portraits the other day. Covid put a stop to any such shoots of late so it was nice to be able to have someone sit for me again. I was inspired by a recent Phil Fisk shoot with Paul Weller to try some high key lighting with some gelled lights to give some colour as Phil had done in his shots. I love Phil’s portraits and his use of light is fantastic. Robins colouring struck me as suiting this style of shot so I invited him into my humble home studio. In the end the session was a little frustrating as using battery powered (possibly not charged recently :/ ) flash units made for inconsistent results. I suspect this was due to several factors present in a very DIY setup! I’d used a white cube used for product photography balanced on top of one speedlight to act as a high key backdrop. The only reliable element was my softbox as the front light. To the side I tried a gelled flash in slave mode to flash when the other units fired. From one shot to the next the lighting would give different results and so it was virtually impossible to work towards what I wanted! I was still pleased with the results that we achieved. We chatted Zappa and films and when there was a pause I took some shots and rolled with whatever results the lights decided to offer! Towards the end I went back to the classic one light style against a black background and had some lovely results but there is a reason why a well equipped studio is a powerful tool.

An unexpected joy was reading the messages Robin’s kids had sent to him when he showed them the results. This year has meant that many relationships have felt somewhat on hold despite the best abilities of technology to help us maintain connections with those that we don’t live close to. I think these shots made a nice change to a fuzzy image on Zoom. We underestimate the importance of seeing the faces of loved ones in real life and maybe the next best thing is a good picture.

Clare sent Today at 22:16

Omg DAD! These are AMAZING!!!! I absolutely love them!! And love that you did this!! I'm going to have one of them printed and framed. It captures your cheeky smile, always plotting a quick whip. Number 10 makes you look like a thug!

Paddy sent Today at 22:20

These are great dad. I love toms photos. Number 6 sums up a number of emotions. Great to see your smile but also just nice to see pics of you. X

North from Porthgain

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After what seems like a few weeks of wall to wall sunshine, the weather broke with typically British contrast to bring high winds and rain over the bank holiday and into this week. In all the sunshine I’ve barely touched the camera and was beginning to feel a bit lacking in motivation to go out and take a photograph. Sunny weather is for riding bikes. Dramatic weather is not for riding bikes but is for taking photos. Today, I thought it worth the effort to head off to Porthgain. I was intending to shoot a landscape that included the usual coastal spring flowers which are in bloom but I found none on my short walk which became a race to find a nice view before the sun set. In the end I’d virtually given up on a shot as I couldn’t find any flowers and the cloud wasn’t behaving for a shot of the harbour markers which looked good against an incoming storm. A large and annoyingly square patch of bare sky ruined any composition I tried so I decided to look North instead. I managed to take a few frames here before the storm made landfall. Soon after this shot it enveloped the Strumble peninsula and a minute or so after that it arrived with me, hail battering my legs as I trotted back to the car. British weather reminding me that just because it’s May I shouldn’t rule out a good old hailstorm!

Technicals: This is a two shot panorama. I’d decided to take my 24-70 lens but the 24mm composition was a little too tight so I stitched two shots together in Lightroom to get a little extra width on the left of the frame to better show the approaching weather. I was shooting in aperture priority so one of the shots is eight seconds and one is five seconds (f8 ISO100). I should have shot in manual mode to make sure the exposure was even but in the end it didn’t matter and the three second difference in exposure isn’t really noticeable in the textures of the water.

The other version of this story is about inspiration and where it comes from. I was faffing around in the early stages of the evening wondering if I should go out at all. The weather wasn't inviting and I didn't feel like I wanted to drive anywhere if it was going to be a waste of time. In the end, as often happens, music helped get me out of the door. I'd been watching an episode of Classic Albums the night before about the Tears for Fears album Songs From the Big Chair and had already played Head Over Heels a good few times before a Youtube rabbit hole featuring Ian Brown's F.E.A.R and Stardust, Prince absolutely shredding the guitar solo on a live version of While My Guitar Gently Weeps, Massive Attack's Better Things and Home Again by Michael Kiwanuka. The combo was enough to spur me into action and off I went. I got to Porthgain playing the album So by Peter Gabriel at which point I lost phone signal meaning I could only play Don't Give Up on repeat. There's so much to enjoy in that song which has some loose relevance to Porthgain being about the decline of industry (although we can't blame Porthgain's industrial demise on Thatcher). I think it's got to be one of the best duets out there and when that gospel style piano kicks in before Peter Gabriel's penultimate verse, I'm lifted. The bass solo on the tracks outro is beautiful too so with no signal still, it goes on again... and again and again.

Being lost in musical reverie is a great mindset to take photos with. It inspires me to be reckless or meditative, to try and capture the epic or the mundane or sometimes to put the camera back in the bag and shoot nothing at all but enjoy a moment for the soul. When I got home editing was done to Neil Young live at the BBC in 1971 followed by Bill Withers live in '73 by which point it was late and time for bed. So it's thanks to Peter Gabriel, and other music makers and creatives that help me and many others produce our own work by providing inspiration through theirs. I feel that pictures, words, music and art of all kinds are all connected in some intangible way and combining them can be a special alchemy.

Abercastle

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Some images from an evening on the coast close to Abercastle with the drone and the long lens. A beautiful sunset lit up the coast with a golden glow. I’ve always liked the sea arch here and it was nice to get a new angle on it with the drone. The final sunset shot was an exercise in patience. The sun was rapidly dropping but none of the gulls, returning home to roost, were in the right place until this one obliged!

Birds in flight

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There’s a local spot I like to sit of an evening. It overlooks the sea looking West towards Solva. Over the years I’ve noticed the gulls that habitually make their way along the coast in the evening. I presume they are heading back to where they spend the night. The small outcrop I sit atop is a speed bump on their way and they will come quite close to the ground as they swoop over the top of my position. Some will fly farther out to sea and skirt around, whilst others will be more inland. It’s always been fascinating to watch their flight and a meditative experience to sit and wonder where they are going or where they have been. I’ve recently been getting used to using a long lens so have been able to get some images of their flight. Here’s a selection of the good ones. Mostly versions of the same shot but they only fly left to right from where I’m standing so apologies!

Technically it’s a tricky endeavor as holding a lens zoomed out to 600mm is tiring and trying to pan with the flight of the birds is a hit and miss exercise. Focusing on a small object moving speedily through the frame is a challenge despite the abilities of a modern camera. I’m learning that there is lots to the art of getting good wildlife images and can only doff my hat to those who capture great images of birds in flight.